Saturday, November 22, 2008

/ / / (discrete) & ----- (continuous)

Wikipedia, mathematically speaking, has some things to say:

/ / /
Discrete mathematics, also called finite mathematics, is the study of mathematical structures that are fundamentally discrete, in the sense of not supporting or requiring the notion of continuity. Most, if not all, of the objects studied in finite mathematics are countable sets, such as integers, finite graphs, and formal languages. Discrete mathematics has become popular in recent decades because of its applications to computer science. Concepts and notations from discrete mathematics are useful to study or describe objects or problems in computer algorithms and programming languages. 

-----
In mathematics, a continuous function is a function for which, intuitively, small changes in the input result in small changes in the output. Otherwise, a function is said to be discontinuous. A continuous function with a continuous inverse function is called bicontinuous. An intuitive though imprecise (and inexact) idea of continuity is given by the common statement that a continuous function is a function whose graph can be drawn without lifting the chalk from the blackboard. 

Wednesday, November 19, 2008

Thom

NotesReneThom

Some main points about Thom
First, keep in mind that it is a theory of models – and this is always an interesting problem, which is how it takes up a model of meaning.
The general background to this is really biology: “a system of forms in evolution constitutes a formalizable process if . . . “

At the same time, we are talking about the sciences in general, hence the quote of D’ARchy Thompson. But note how that quote institutes one of the main problems of mathematics in the modern era, which is the study of patterns, as opposed to what we previously considered mathematical, that is the treatment of numbers.
Thompson makes this distinction between form and pattern explicity.
Then, note the title of the subchapters: Succession of form; Science, and the indeterminism of pheonena, Qualitative or quantitative, etc.

In otherwords Thom is pointing to a main problem which in a sense constitutes all scientific inquiry – foresee the change of form and “if possible,” explain it.
Its important to see how Thom introduces the notion of a model to formalize the space of change. And it is also important to understand that the model has two elements: topology and calculus. It is interesting in this to see him refer to Descartes and Newton in this context, specifically since it introduces the problem of the quantitative (Descartes and Newton) but in different ways. “Descartes, with his vortices, hi hooked atoms and the like explained everything and calculated nothing; Newton, wit hthe inverse square law of gravitation, acluated eeryting and explained nothing.”

The point his is really about how to quantify quality, how do you explain transformations in quality. “With the exception of the grandiose, profound, but rather vague ideas of Anaximander and Heraclitus, the fir pre-Coscrativ philosophers, all these thoereis rely on the experience of solid bodies in three-dimensional Euclidean space.” And, according to Thom, this is insufficient to explain the intensity of phenomena.

The then goes on to justify this problem of the formal model exactly by evacuating from it the Euclidean notion of space and of objects in space (recall our initial discussions of the ontological “limits” of Euclidean geometry). Hence the introduction of another, unlimited, formalizable space, which is topological – a manifold. “We therefore endeavor to free out intuition from three-dimensional experience and to use much more general, richer, dyamical contps, which will in fact be independe of the configuration spaces.” Keep in mind how architecture problematically exploits the topological model Thom introduces by the very fact that it returns it directly to Euclidean space.

Note that the catastrophe models that he elaborates are only local models, and there is no universal model. That’s one of the important distinctions from previous models. The second is that the model accounts for change, namely catastrophic change. This is what differential analysis (calculus) could not explain. Calculus treats of dynamical systems (which are continuous) and the rate of change as long as that change is continuous. But it cannot account for a discontinuous system.

Morphogenesis just is the discontinuity of a system.

It is that which leads to change, growth, and alteration.
Note how this notion, still based in mathematical physics, though now of a qualititative rather than quantitative stance, will constrast heavily with the algorithmic notions we are about to encounter.

Re: Seminar

maybe we should all just meet at our birthday party saturday night.  you all thought deleuze wrote like he was drinking anyway, right . . .

On Wed, Nov 19, 2008 at 10:59 AM, Peter Macapia <peter.dora@tmo.blackberry.net> wrote:
Hi everyone, thanks for getting back to me.  Renee has asked if we could meet any time after 5 on Sunday, that's fine with me, but not sure about the others,  if that doesn't work, let's consider Saturday.  Anyhow, yes, there is a 15 page paper due for the class.  I mentioned it previously, but we've been focused primarily on the issues.  The topic is architecture and toplogy.  There is a lot of material to choose from.  Let me know your ideas.  As for the next set of readings I've adjusted them, but they are now on the server.  Here's what we have for Sun (or Sat): a wrap up discussion of the digital toplogy material and intensity.  I'd like you to read the Delanda essay for this Deleuze and genetic algorithm, Delanda essay for Modeling Software, and Wolfram essay how do simple programs behave.  In addition I'd each of you to look up the terms "discrete" and "continuous" and write a very short blog entry on that.  The readings for Tuesday are alos on the server and they are Chu and the Rocker essays.
Ok, thanks
P
Design Office for Research and Architecture
68 Jay Street
Brooklyn, NY 11201
USA
646-575-2287
petermacapia@labdora.com
http://labdora.com/
http://atlas.labdora.com/

Seminar

Hi everyone, thanks for getting back to me. Renee has asked if we could meet any time after 5 on Sunday, that's fine with me, but not sure about the others, if that doesn't work, let's consider Saturday. Anyhow, yes, there is a 15 page paper due for the class. I mentioned it previously, but we've been focused primarily on the issues. The topic is architecture and toplogy. There is a lot of material to choose from. Let me know your ideas. As for the next set of readings I've adjusted them, but they are now on the server. Here's what we have for Sun (or Sat): a wrap up discussion of the digital toplogy material and intensity. I'd like you to read the Delanda essay for this Deleuze and genetic algorithm, Delanda essay for Modeling Software, and Wolfram essay how do simple programs behave. In addition I'd each of you to look up the terms "discrete" and "continuous" and write a very short blog entry on that. The readings for Tuesday are alos on the server and they are Chu and the Rocker essays.
Ok, thanks
P
Design Office for Research and Architecture
68 Jay Street
Brooklyn, NY 11201
USA
646-575-2287
petermacapia@labdora.com
http://labdora.com/
http://atlas.labdora.com/

Tuesday, November 18, 2008

'n_10_city

Ok, I'm cheating because I read Peter's round-up post of everyone else's posts.  I am also cheating because last class we made a lists of words and I shall now steal some lists of words from other people in the pursuit of defining intensity.

Besides the fact that he spells realization funny, CB is specifically chronicling the Arnhem Transfer Hall which he is consulting on with BvB (which is in fact the frontispiece of the BvB article).  I would peg this quote directly as a Balmond definition of intensity when he looks ahead to “New Territories”:

“When [the] connectivity is seamless... zones of confluence, aggregations, overlaps and bandwidths, become a new language for structure.”

Within the topic of “Texture, Fields, and Techniques,” BvB speaks of various infrastructures (not purely structural) by saying:

“Infrastructural layers may be classified, calculated, and tested individually, then interwoven to achieve both effective flux and effective interaction.”

The GL article “Geometry in Time” defines his attitude clearly when he discusses all that 3d modeling and animation tools bring to architecture:

“The linkages between these characteristics of time, topology, and parameters combine to establish the virtual possibilities for designing in animate rather than static space.”

We discussed PE in a lot of detail already, but for Rebstock his definition of intensity would be derived from his definition of the fold:

“By introducing the concept of the fold as a nondialectical third condition, one which is between figure and ground yet reconstitutes the nature of both, it is possible to refocus or reframe what already exists in any site.”

And finally for RT, who is simply interested in advancing a mathematical theory, implies elements of intensity by the way in which he derives the construction of his model:

“From a macroscopic examination of the morphogenesis of a process and a local and global study of its singularities, we can try to reconstruct the dynamic that generates it.”

All in all a similar theme is the need to define a new (pick one):  language, interaction, possibility, concept, or dynamic.  Intensity could be viewed or defined within the framework of any of the preceding terms as a result of the “new.”

Intensity

I think its interesting given Daniel's take on Balmond, that intensity would have to be legible in the form of a curve. Daniel, is that what Balmond is after? Are there words, maybe other words that point to intensity? And its interesting that intensity, as per Eric's comment, is this interstitial condition, but I'm not sure what that means. I'm not sure what meaning he us giving the word intensity. Perhaps Adam's points can calrify some issues since at least as far as I can't tell, he is deriving it from a specific essay and developing a theory of intensity according to Lynn's argument. At the very least, its clear that there is something about the intensity of architecture's existence or manifestation and Lynn sees himself an advocate of that.

That strange thing is that like in Balmond, that intensity is somehow graphically shaped, by the figure of the curve, or the geometrical pattern.
Then there are other possibilities, the tension between states of an undecideability. So its a kind of stress. Something poised between one moment and the next - which we talked about previously.

In van Berkel its a kind of generic, but at the very least involves evolution, od something constantly becoming.


Well, is there a correct way to use this term? I'm not sure. But that's not the point. One thing for sure is that each of these authors are placing on the table an agenda that takes into account various forms or kinds of intensities that can be experienced in actuality or conceptually - and that's just it, it can be experienced. Change, process, tramsformation, etc., each of these are rich in experience because they imply that something is in the process of happening.

This is not a typical notion in the history of architecture anymore than it was typical to make an ellipse and start generating dynamic movement in arcitecture in plan during the High Renaissance.

Our interest here is that each of the authors wants to claim this from an area within those things that constitute architecture's interiority. That last is Esienman's term. It has associations with Deconstruction and Derrida and refers to, among other things, a principal of its own speicif logics of organization that are constantly under erasure, being negoatiated, and seem always essential.

Anyhow, the readings are highly calculated in this way, because, as we'll see, the last set of readings point to a certain limit of the models of meaning that the authors are about to experience in the face of computation and algorithm. For, and this is the point, to argue for a dynamic model, continuous or discontinuous, is to argue essentially for an empirical model, it is to argue for mathematical phyics.

Clearly this isn't wrong.

But it is now out of date.

For years we have been entering a mew model, which is algorithmic and leads us to different possibilities. In order to understand this, clearly it is essentil to identify just what is the nature of the models of meaning in previous digital architecure.

Balmond is pointing one way out of this.

As one author said, we have left the great age of mathematical physics and entered the new one of alorithm

P
Design Office for Research and Architecture
68 Jay Street
Brooklyn, NY 11201
USA
646-575-2287
petermacapia@labdora.com
http://labdora.com/
http://atlas.labdora.com/

"again, with more intensity"

I took a look again at the Balmond essay (since it was the only one that really resonated at all with me) and tried to prize out his notions of intensity. Most of the essay dealt with structural concerns, especially as it related to different patterns/requirements of circulation. I can see these clashing grids as a form of intensity, something that needs to be intelligently negotiated. Balmond also seemed concerned with retaining curvature, another concept that can be linked to intensity of form (especially if you think about all the math that goes into a complex curve...woo! intense!). But mostly it comes down to pattern, and intensity of connection. His final example of the braiding and interconnectedness of 'strands' began a whole other discussion of intensity.